Patrick Creevey, II

It's a game of dice for pour young Pat,
waves crash and make boots wet
ivory holds a great surprise
the dice, they say snake eyes.

So it's twelve months more for pour young Pat,
least a full year 'til he rows on back
she'll marry him when his ship comes in
and Creevey's baby be.

Well Jack, that man dressed all in black
made port while pour young Pat
was working of his debt, you see
Jack found dear Molly McGee.

Jack teased her with bags of gold
her father he asked, too bold
for her hand which was promised already
to pour young Patrick Creevey.

A year went by, Pat bought the dye
to color Molly's dress white
and when he came into port
there was a thing or two to sort

So, it's a duel on land for pour young Pat
if he wins this fight, he gets his lass
draw your sword and let it be,
dear young Patrick Creevey.

More fragments.

Open Mic at BJs

Nevada pours over his notebook
twirling his pen as
another name on the list
is crossed of. Ink over ink.
Pen top over ball point.
Ink over ink.

A cycle of BJ's Good Grub
Eat.

-

'Eros'

Like the stiches that make my pocket
you hold me together and
my keys (to keep others out)
the broken cell phone, I can't see the screen
but I know I can put it to my mouth
and dial --- 8233 and you'll answer,
asking if you can find me.

Find a self-proclaimed poetess
at 4 AM throwing plates at
the wall because it's blank -

like your smooth white skin
I mouth punctuation on your spine
the question marks drip off my lips
and turn into exclamation points dotted
with your freckles.

We speak in smoke colored sentences
punctuated by sin but the only pause
is an ellipsis ... for good taste.

Dashing and dotting eyes, spillings Ts
our relationship is gibberish that no one
but us can read.

But, y9ou always strike me classically.

Your lips a bow, tipped with
an arrow of nose.

struck

I whisper your true name,
Eros
into my pillow.

----

Monday doesn't like school
the other days of the week tease her
so she applies herself extra
diligently to her studies, turning
her books and pens into
surrogate buddies.

At night, she looks at the moon
and wonders what about her has caused
other to focus on its dark side.

Mondays remembers the days before
classes began, when she and the other kids
played together.

Friday used to braid her hair,
before Saturday and Sunday came between them.

----

A Poem for Alarm Clocks

Destroyer of Dawn
you mutilator of morn!
I hate myself for turning you on
that fucking beep I scorn!

Everyday at 7 AM, you take me away
from my lover
leaving me longing for PM,
when I can crawl back under the covers.

--------

I need to update this more often. Blech.

"Paper is Poor Company"

Paper is poor company
these letters, vowels
meant to be read aloud
but silent, without sound
bloodless ink upon the page.

I write poetry on napkins
bathroom stalls and to people
words dribble from my pen
all lost and disconnected
without a set of eyes to see

But some see, then don't read
so all that is left are holes
in the body of me, my corpus
a line of footprints in the snow.

The poet wanders -
Sandaled, chucked, always bound feet-
with no place to go.

Haunting

Trees whisper down Elm Street
with the crackle of speakers
the whisper of treads
I walk, humid curls
halo my head as my smoke
trails ring behind
wisps and whispers

the buzzz
of you on my hips I feel it
like the scent of autumn my pillow
the imprint of love on sheets
rustling leaves and water drips
echoes and echoes

I write short silly sentences
with the tips of fingers
and linger on send
wisps of willows, whispers

the anachronism of technology
ties you to this
memory of full and thin lips
lingers, haunts, the pavement

tonight we walk together
if I listen with my ribs
the rhythm of your step
entwines with mine, accent on the left
behind wisps, whispers
echoes and echoes

On Navy Pier

I grabbed you, noting how
the crosshatching of christmas lights
on your golden skin created contrast
between our hands, and squeezed.

My rings bit into my skin.

We ambled toward the city, dusk
deepening the shadows between our fingers
creating a canyon of black that
seemed to leak onto the boardwalk
leaving an inky trail behind us,
lost in the passing crowd.

Like we were melting.

Behind us the ferris wheel
oscillated while the distorted
reflections of children grinned
at the Lake from fun house mirrors,
farther away than the trail of
our ghost fingers, reaching,
could touch.

Summertime

Summertime and the livin’ is easy
Fish are jumpin’ and the cotton is high.
Your Daddy’s rich and your Momma’s good lookin’,
So, hush, little baby, don’t you cry.

It’s 99 degrees; I’m sitting on his knees
drinking to slow my mind, his hand on my thigh.
After I imbibe, he breathes, toking from a piece,
flame near his face despite the heat.
I call shotgun. Whiskey and weed.

We’re trying to devise
just how many vices
we need to mix.

I take a sip, he takes a hit.
Sooner than later, it’s lips,
rocking hips unable to tell
horizon, skin, or sin, where I
end and he begins.

Oh, Summertime and the livin’ is easy
Fish are jumpin’ and the cotton is high.
I’m one hot bitch and you’re quite good lookin’
So hush, little baby, don’t you cry.

Summertime, the days begin
Waking up in a pile of limbs
I dance with the street sweeper on the way
Back up Clark, singing to the beat
My feet make on the sidewalk.

After it’s dark, we’ll write
poems on the cells of our hands
holding, touching, searching each other
for one loose comma of inspiration tucked away
In the structure of our badly formed sentences
of fleshy psycho-babble,
our conversation defined by the monitor’s glow.

While Autumn hides in the hallway, biding her time.
Watching the seconds fall from the clock like auburn leaves
patiently putting Xs on the calendar we pretend not to see,
because she knows you’re not mine.

I should recognize the waning sun
Add up the differences and signs
But I don’t want to analyze,
So July creeps by, vices multiply.

They wanted me to go to rehab,
I said no, no no.
They wanted me to go to rehab,
I said I won’t go, go, go.

‘Cause it’s summertime, life’s good and easy
Fish are jumpin’ and somewhere a clock chimes,
We’re so far from rich, but still pretty fly
So hush, little baby, don’t you cry.

Now August dawns with gold colored days
and the metallic smell of frost lingers in the dusk.
We start to fight. Find faults to put inches
back in, sleeping apart in the diminishing nights
we’ve still got left together, frigid in the wrong season
unable to weather the change.

My chest is filled with ticks, tocks instead of beats.
You’ve lost the heat you had for me.
We crumble under the weight of vice.
And it could be better, we could fix it.

But, we know don’t have the time.

So, I’ve got my pints and
You’ve got your pipes and either way,
we’re getting fucked tonight.

Summertime, the livin’ is easy,
fish are jumpin’ and the cotton is high.
Your daddy’s rich and your Momma’s good lookin’
so hush, little baby, don’t you cry.

Don’t you ever, ever cry.

the chickens

"You have to reach under them,"
the farmer's wife tells me, forcing her hand
beneath a hen that cries out loudly.

The hen's beady eyes look at its freshly stolen egg
shining against the flesh of her palm, bewildered,
like the egg is a fallen star or an oblong moon
that rose too soon in the peach sky
of the farmer's wife's long-fingered
spider web hands.

The hen begins to scream and peck
squawks of protest. It fights for
its treasured egg; its sharp beak
darts out and strikes
drawing a crimson line on a knuckle.

With a fierce curse,
the bird is struck down by
the farmer's wife's fist.

"Sometimes they'll fight," she says
whistling on her 's' through the black and white
piano keys that are her teeth
placing the egg in a wicker basket
at my feet, "But if you give 'em a good whack,
they'll remember who's boss."

She walks away, entering the house
the shotgun sound of the screen door slamming
and the scrambled static of the police scanner
echoing after her.

Surrounded by foul battery cages,
pebbles grinding into the bottoms of my bare feet,
I take up the basket and approach the next bird.

Sitting upon its nest as if in meditation,
the hen's eyes are serene and closed.
Its feathers are fluffed, feet tucked beneath
white plumes that are spotted with the defecation
of other birds.

So like a statue, she doesn't seem to breathe.

She sits so placidly that instead of seeing meat
and eggs, I see the figure of Mary in the
garden of the house where I used to live,
surrounded by dandelions and weeds,
her beatific face raised towards the heavens.

Her eyes were closed too.

Her marble white cloak was marked
with the drops of birds too.

She held her child in her arms,
and contemplated the wonders of maternity
that this bird meditates
upon the egg between its feet.

I hold the wicker basket,
Its gaping maw reminds me
so
timidly I extend my hand
toward the base of the hen.

The chicken's eyes open, angrily
and she immediately leaps to her feet
beating her wings and shrieking
defending the egg she's keeping
thrashing the air with her beak.

Determined to do my job, I reach
but she grabs my thumb
and she bites me hard.

I begin to bleed.

Now, irritated in my agony,
I knead my fingers into a fist
and draw it back, self-righteous,
behind my head.

But the chicken stops screaming.

Instead, it sits back down on its egg,
Bracing its head under its wing,
anticipating the blow, with all the grace
of a dove mid-flight in a
stained glass window
trembling with the wind.

A mass of quivering feathers.

I’m poised to deliver the hit,
My shadow covering her
Like an ominous black blanket
But there’s something familiar
In the way she’s cowering
In the fear that makes her shiver.

I’ll never strike.

I stand by the nest until
the chicken leaves of its own accord,
searching out niblets of corn peppered
across the gravel.

Then, I take the egg, gingerly
tucking it in the basket like
I’m cradling my own baby,
even singing it to sleep.

Collecting the eggs like this takes all day
with each chicken only mildly surprised
when it returns to an empty roost.

When the sky turns darker shades
I hush the screen door and creep into the house
with a basket full of tiny moons
and by the blue glow of the stove’s
pilot light, I put the eggs in the fridge.

Jack the Reaper

I creep out the back of the house. Mother should be climbing into her sleigh of a bed, brother should be watching TV and me, I should be fast asleep but I want to die a little instead.

Sauntering down the driveway, I dig my dirty nails into my pockets, searching for fire. However, there is no answer to my finger’s burning question, so I stick the cancer behind my ear and weave onto the street. It’s a warm summer night, breeze in the trees, and my feet are itching in my three dollar shoes so I promenade down Lawrence Avenue, a skip in my step.

Which I reach the arrow, suddenly I note that my skin is prickling despite the heat. I’ve changed texture from cotton to suede and there’s a shade on the pavement that doesn’t match the scene. I bring my fingers to my neck, touching the Celtic cross that hangs there. It’s an old inside joke with the company I keep.

From behind me, a black sleeve creeps over my shoulder, spider fingers play with the chain of my cross, shadow on my collarbone.

“Hello,” I say, placing my digits on their counterparts. My heart skips a beat. A searing, fleeting pain streaks across my chest, an echo of a past heartache.

“Hello,” my old friend replies. He retracts his touch and falls in step with me. His voice is pleasant to hear. How many years has it been?

As if reading my mind, Jack speaks, “You know, you’re kind of a tease. We don’t see each other too much anymore – just passing glances, a wave or so. Nearly meeting but always a miss.”

“I dare say you’ll catch up with me one day.”

He laughs at my expense. We’ve reached Sprague street, passing by Karrie’s house. All the lights are out. Trying not to be vague, I start shooting the summer breeze, “How’s my sister?”

“Business is booming,” he takes the cigarette from my ear, “an excellent partner. She doesn’t talk much, good for the morgue.”

He touches a finger to the tip of the cancer stick and it begins to smoke.

“Thanks,” I say as he passes it to me.

“Anything to bring us closer,” he replies with a wink.

I think as I inhale the fumes and exhale through my nose. Nicotine absorbs faster that way. By now, my companion and I have strayed to Elm and feeling especially bold, I take Jack’s cold hand. It overwhelms me, his skin. I tremble. He notices my chagrin and lets go, withering some leaves on a tree we pass. As we amble by the Wead library, I nod at a house across the street and ask, “Why are you so hard on Cheryl?”

He sighs and wearily replies, “It’s not my place to question fate. I just do my job.”

Though I find his tone odd, I don’t speak. The only sound is our shuffling feet, the wind in the trees, and the hush when I breathe.

Somewhere down Park, the silence makes me silly and for a lark, I start doing a jig. Jack smiles and joins in, though he’s a bit stiff. If someone were to drive by, they’d probably think we’re high, but we’re just playing with being alive. But after the jig morphs into a hand jive, we decide that things have gotten ridiculous and return to our constitutional. We’re by the hospital now, its façade toothy with neon signs.

Jack ducks inside for a minute, to take care of some business. I don’t mind. I light another little suicide and chill on the curb, humming the opening bars of Another One Bites the Dust.

In just a few moments, Jack is back again. He smells a little like formaldehyde so I walk beside, not behind him. The aroma is carried away on the wind.

We’ve wound our way to Constable street an found our words a bit lost after his occupational jaunt. It’s always weird to see a friend at work.

“When are you going back to Chicago?,” he asks, as if he doesn’t know.

I play along, “Sunday morning, three A.M.” and flick my cigarette butt onto the cement.

“Rail or sky?”

I smile as I reply, “Plane. Statistically it’s the safest way to travel.”

He laughs deeply, “Y’beat me.”

Starting to climb the incline of Prospect, I suspect that Jack’s got something on his mind. There’s a frown on his lips.

I gasp, giving him a flat tire and he trips. “C’mon man, out with it.”

After recovering his balance and a quick glance in my direction, Jack says, “Sometimes it’s hard to leave work at the office.”

As we descend the end of the hill, I give him my best clap on the shoulder. It stings my hand.

But now, after our meandering maze, we’ve made our way back to Lawrence Avenue. As we walk up to number three, Jack says to me, “Well, it’s been great catching up with you.”

“Likewise, my friend,” I say, climbing the steps to the porch.

He stands at the bottom of the stairs. The air moves in the trees around us. I’d embrace him, if his touch didn’t hurt so much.

“You take care of yourself,” he says, about to turn and leave, “and don’t you forget about me.”

I laugh and say, “Jack, you know I’m a sucker for a man in black, and besides, I can’t forget. I wear you around my neck.”

He smiles, then blows me a kiss. I pretend to catch it, but don’t. He won’t know, though. He’s already taken off.

So with a yawn, I open my door as dawn begins to form. It’s late and I need to sleep. Climbing into bed, I'm not worried about seeing Jack again. It’s only a matter of time.

My Mother is Massaging my Shoulder

My mother is massaging my shoulder
the right one, its knotted sinews.

Overhead a disembodied voice announces
departures, arrivals, boarding calls,
but I don't listen.

It doesn't matter that I am twenty years old.
It doesn't matter that I have traveled across oceans.
None of it.

In this moment, I am listening to my mother
softly humming Church hymns beneath her breath
her fingers softly kneading the muscles beneath my skin
tension under her persuasion.

Once, I came home
my mother was crying in a corner
crumpled under invisible weight.

I put my backpack by the stairs,
pretending I didn't see.
Her sobs chased me
echoing guilty footsteps.

Another time, I was leaving
my mother was singing in the shower
voice mingling with steam

I put my back to the sound
talking aloud
her tones chased me
filling in the pauses of
my breath

The carpet beneath my feet is making
cross hatching on my skin
lines into skin into muscle

My mother is massaging my shoulder.
Overhead a disembodied voice announces
departures, arrivals, and boarding calls.
I don't listen

Chinese New Year (draft)

Rising and falling softly,
sleeping with your eyebrows knit
against the wall
pins and needles
my arm is
pins and needles

This is the moment
where I should wake you
where I should admit that
I'm trying so hard not to fall in love with you
but I'm silenced by
your sleeping frame, a painting
canvas heavy with layers
and it hasn't dried yet.

As I watch your skin get goosebumps
with the touch of the morning breeze (Chi?)
I think about how I should
clean the house
sweeping away last year's
negativity so that good luck can
creep in and have room to breathe

(Don't forget to hide the broom and dustbin
so it can't sneak out again)

Maybe later we'll go to Chinatown (Cermak)
have passerbys hand us red packets
and if we're lucky they won't find us odd (reserved for death)
but rather like Tikoy, the brown sugar
of your skin mixed with my Irish powder

Laying here, I know that there's
one thing the Chinese got wrong.
The color of love and luck isn't red.
It's yellow.

I want to kiss you,
but when I open my mouth
yellow comes out filling
the room like a great Tsunami
of my gut-grounded-feelings.

But I can't wake you.
I can only marvel at the gold
of your hue, my fascination
with your pigmentation, the
predicament of dawn
in a city never darker than dusk.

"Oh, Canada" (draft)

Canada,
I have lived spread eagled on the border
Between desire and empire
Dreaming of your territories.
Je me souviens, very well,
When you were between my thighs
My strange Northern Ally,
And I touched your maple leaf.

I have heard your white noise,
And compared to American boys,
There’s something I enjoy about those
I found in your home and native land,
From the BC man who fucked me and
Stole my poetry to the Nova Scotia
Lady who let me travel her Saint-Lawrence
River of blonde belly hairs to the locks
Of her seaway.

Canada. I want you. I Seskachewant you.
I want to dribble syrup
On your snow white mid-drift and
Nibble it off when it gets hard –
You know maple candy always melts
In your mouth.

And hell, if you want to carve stars
Out of bite-marks and stripes with
Your nails on my spine and shoulder
Call me in October when the weather’s
Colder and we’ll have our own
Sugar shack.

On the first of July we’ll celebrate
The dirty act which made you
In 1982, and named
My foreign soul mate who knows
Dominion on my affairs of state.


In the room women come and go,
dreaming of Toronto.

Oh, Canada. I don’t mind being under you.
I flirt with the border patrol, the royal mountie
Can mount me anytime he wants, thinking common-wealth
Thoughts as he plays with my loony and two-nie and hails
God save the Queen.

C-A-N-A-D-A

You’re my strange situation, my fascination,
Your vowels so round they fill my throat
Like poutin, Molson, and sin,
‘til you make me scream ‘EH! ‘eh! ‘Eh!
My darling canuck, ‘til I make you howl
Like the Habs just won the stanley cup,
Je ne sais pas que je te desis mais,
You’re what I’m talking aboot.